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This piece of electronica has an alternative, almost devoid of genre feel. I composed the music using studio instruments, George provided the bleak message in the lyrics, and Rosalie spoke beautifully in her French-African accent.

The track came about spontaneously and that's interesting. Sometimes in a group situation things just emerge as if something in the collective takes over to become more than the sum of the parts. I think the best works are often the product of this phenomenon which is why I'm rather proud of Nothing Is Sacred.

      Nothing Is Sacred

project: Overman

produced-arranged: CS (2000)

Archive Recordings

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